1
00:00:01,333 --> 00:00:04,625
[ Up-tempo theme music plays ]

2
00:00:04,625 --> 00:00:11,250
♪♪

3
00:00:11,250 --> 00:00:12,667
-Hi, there, and
welcome to the show.

4
00:00:12,667 --> 00:00:14,083
I'm Nancy Guppy,

5
00:00:14,083 --> 00:00:16,417
coming to you from
a spectacular exhibit

6
00:00:16,417 --> 00:00:18,083
at Cascadia Art Museum,

7
00:00:18,083 --> 00:00:20,500
titled "Full Light
and Perfect Shadow:

8
00:00:20,500 --> 00:00:24,083
The Photography
of Chao-Chen Yang."

9
00:00:24,083 --> 00:00:26,833
An important
Seattle photographer

10
00:00:26,833 --> 00:00:30,333
who gained national prominence
in the mid-20th century,

11
00:00:30,333 --> 00:00:33,708
this groundbreaking exhibition
is the first-ever study

12
00:00:33,708 --> 00:00:36,750
of Chao-Chen Yang's
extraordinary work.

13
00:00:36,750 --> 00:00:41,167
From portraiture to nature,
architecture to street scenes,

14
00:00:41,167 --> 00:00:45,667
Yang's curiosity, sharp eye,
and interest in experimenting

15
00:00:45,667 --> 00:00:48,083
with different
photographic processes

16
00:00:48,083 --> 00:00:50,458
led to an incredible creation

17
00:00:50,458 --> 00:00:54,833
of bold, complex, and
emotionally rich imagery.

18
00:00:54,833 --> 00:00:58,833
You definitely want to see
this show in person.

19
00:00:58,833 --> 00:01:01,000
"Full Light and Perfect Shadow:

20
00:01:01,000 --> 00:01:02,625
The Photography
of Chao-Chen Yang"

21
00:01:02,625 --> 00:01:06,000
runs now through
February 11, 2024.

22
00:01:06,000 --> 00:01:09,208
For hours and location
and information

23
00:01:09,208 --> 00:01:11,125
on the exhibit's
accompanying book,

24
00:01:11,125 --> 00:01:14,500
go to cascadiaartmuseum.org.

25
00:01:14,500 --> 00:01:17,333
♪♪

26
00:01:17,333 --> 00:01:19,375
We've got an excellent
lineup for you,

27
00:01:19,375 --> 00:01:23,500
including Selena Kearney
at Solas Gallery...

28
00:01:23,500 --> 00:01:25,292
-When I see the work
on the wall today

29
00:01:25,292 --> 00:01:27,917
and I look at it,
I think to myself,

30
00:01:27,917 --> 00:01:29,625
"This is what I wanted to say.

31
00:01:29,625 --> 00:01:34,542
I wanted these images
to be uncanny and dark."

32
00:01:34,542 --> 00:01:38,875
-...and music from the great
Tiffany Wilson.

33
00:01:38,875 --> 00:01:42,750
-♪ You know, once you leave,
ain't no comin' back ♪

34
00:01:42,750 --> 00:01:46,042
♪ Shut the door ♪

35
00:01:46,042 --> 00:01:50,958
♪ Don't let it hit you
on the way out ♪

36
00:01:50,958 --> 00:01:53,500
-And we'll begin with pianist

37
00:01:53,500 --> 00:01:57,458
and beloved music teacher
Billy Stover.

38
00:01:57,458 --> 00:02:00,500
[ Piano plays soft music ]

39
00:02:00,500 --> 00:02:02,833
-I'm Billy Stover,
piano teacher,

40
00:02:02,833 --> 00:02:05,167
performing musician,
dad of three,

41
00:02:05,167 --> 00:02:07,708
and bicycle enthusiast.

42
00:02:07,708 --> 00:02:11,375
I saw Willie Nelson
when I was 5 years old,

43
00:02:11,375 --> 00:02:15,792
and I immediately knew
what I was gonna do.

44
00:02:15,792 --> 00:02:19,333
-♪ Quite as often
as I could have ♪

45
00:02:19,333 --> 00:02:22,333
-I wanted to take piano,
and my parents bought me a piano

46
00:02:22,333 --> 00:02:24,583
and got me a piano teacher,
and that was that.

47
00:02:24,583 --> 00:02:26,708
I've been doing it ever since.

48
00:02:26,708 --> 00:02:30,500
I love playing R&B most
these days.

49
00:02:30,500 --> 00:02:33,917
-♪ Every time you come around ♪

50
00:02:33,917 --> 00:02:35,375
♪ You got to bring ♪

51
00:02:35,375 --> 00:02:41,833
♪♪

52
00:02:41,833 --> 00:02:45,792
Y'all know what he's talkin'.
You know what I'm sayin'?

53
00:02:45,792 --> 00:02:47,792
♪ Why can't we be all alone? ♪

54
00:02:47,792 --> 00:02:50,208
-One of my favorites was

55
00:02:50,208 --> 00:02:52,875
when I was playing
in The Dusty 45s,

56
00:02:52,875 --> 00:02:56,083
and we were the backing band
for Wanda Jackson.

57
00:02:56,083 --> 00:02:57,917
I recorded a record
with Mark Lanegan,

58
00:02:57,917 --> 00:02:59,917
which was really tremendous,

59
00:02:59,917 --> 00:03:01,792
and I've done
a lot of commercials --

60
00:03:01,792 --> 00:03:05,042
music for commercials --
and the most prominent one

61
00:03:05,042 --> 00:03:07,500
was with Cat Power
for the iPhone 5.

62
00:03:07,500 --> 00:03:09,042
We worked on a version

63
00:03:09,042 --> 00:03:10,875
of "Have Yourself
a Merry Little Christmas."

64
00:03:10,875 --> 00:03:15,500
-♪ A merry little Christmas
now ♪

65
00:03:15,500 --> 00:03:19,917
-I was asked by a family
to come teach their sons piano

66
00:03:19,917 --> 00:03:22,792
when I was working
at a smoothie shop.

67
00:03:22,792 --> 00:03:26,375
So I rode my skateboard
over there 28 years ago,

68
00:03:26,375 --> 00:03:30,458
and I quit my job probably
four weeks after that.

69
00:03:30,458 --> 00:03:32,833
They spread the word,
and I rode my skateboard

70
00:03:32,833 --> 00:03:35,208
to all the piano lessons
that I did.

71
00:03:35,208 --> 00:03:36,708
And I got well-known

72
00:03:36,708 --> 00:03:38,667
because I was
a skateboarding piano teacher.

73
00:03:38,667 --> 00:03:41,792
[ Piano plays mid-tempo music ]

74
00:03:41,792 --> 00:03:47,708
♪♪

75
00:03:47,708 --> 00:03:53,625
♪♪

76
00:03:53,625 --> 00:03:55,833
[ Rhythmic knocking on door ]

77
00:03:59,167 --> 00:04:00,708
-What's up, Billy?
-Hey, dude.

78
00:04:00,708 --> 00:04:02,833
-How's your week going?
-Pretty darn good.

79
00:04:02,833 --> 00:04:04,167
What about yours?

80
00:04:04,167 --> 00:04:07,083
[ Piano plays
slow classical music ]

81
00:04:07,083 --> 00:04:14,750
♪♪

82
00:04:14,750 --> 00:04:16,833
-I would say the most
challenging aspect

83
00:04:16,833 --> 00:04:19,667
is to teach kids
how to focus properly

84
00:04:19,667 --> 00:04:21,458
in order to be a musician,

85
00:04:21,458 --> 00:04:23,667
which I think has
a separate style of focus.

86
00:04:23,667 --> 00:04:25,833
So we focus on that quite a bit.

87
00:04:25,833 --> 00:04:27,292
Can you try it again?
-Yeah.

88
00:04:27,292 --> 00:04:29,875
-I want to see
you work the pedal.

89
00:04:29,875 --> 00:04:32,125
Heel on the ground.
When you're working the pedal,

90
00:04:32,125 --> 00:04:34,167
you use your -- have your heel
on the ground.

91
00:04:34,167 --> 00:04:36,250
Mm-hmm.

92
00:04:36,250 --> 00:04:39,792
♪♪

93
00:04:39,792 --> 00:04:42,792
[ Up-tempo music plays ]

94
00:04:42,792 --> 00:04:46,417
♪♪

95
00:04:46,417 --> 00:04:48,958
One family that I have,
I teach twins.

96
00:04:48,958 --> 00:04:51,250
Hello, everybody.
-Hi.

97
00:04:51,250 --> 00:04:54,292
-And the coolest thing about
that is that they play together.

98
00:04:54,292 --> 00:04:55,667
They'll play duets,
or they'll play

99
00:04:55,667 --> 00:04:57,833
their same assignment together.
And I am,

100
00:04:57,833 --> 00:05:00,083
along with the parents,
are just so stoked to see that.

101
00:05:00,083 --> 00:05:01,833
Okay, wrists and backs,

102
00:05:01,833 --> 00:05:05,583
and one, two, three, ready,
and go.

103
00:05:05,583 --> 00:05:08,750
[ Piano plays slow music ]

104
00:05:08,750 --> 00:05:15,958
♪♪

105
00:05:15,958 --> 00:05:23,167
♪♪

106
00:05:23,167 --> 00:05:25,250
I'm proud of all of my students,

107
00:05:25,250 --> 00:05:27,750
particularly the ones that I get
to start from scratch.

108
00:05:27,750 --> 00:05:30,875
It is amazing to see some
of these kids really catapult

109
00:05:30,875 --> 00:05:33,917
to a level
where I am basically

110
00:05:33,917 --> 00:05:36,375
just a fingering coach
for them after a while,

111
00:05:36,375 --> 00:05:38,042
because they get so good

112
00:05:38,042 --> 00:05:40,167
that I can't even really play
what they're playing.

113
00:05:40,167 --> 00:05:42,833
-Hey, Billy! How you doing?
-Hello, Jamie.

114
00:05:42,833 --> 00:05:45,958
[ Piano plays intense
ragtime music ]

115
00:05:45,958 --> 00:05:53,792
♪♪

116
00:05:53,792 --> 00:06:01,583
♪♪

117
00:06:01,583 --> 00:06:04,667
-I think this might be
my 55th recital,

118
00:06:04,667 --> 00:06:07,292
but it's the first time we've
ever done a Halloween recital,

119
00:06:07,292 --> 00:06:08,958
so I'm pretty stoked about that.

120
00:06:08,958 --> 00:06:10,542
All the kids
will be in their costumes,

121
00:06:10,542 --> 00:06:12,000
and you know,
they're all nervous.

122
00:06:12,000 --> 00:06:15,250
I am more nervous than they are,

123
00:06:15,250 --> 00:06:18,000
so I won't breathe
for 90 minutes.

124
00:06:18,000 --> 00:06:21,208
[ Piano plays "Jingle Bells" ]

125
00:06:21,208 --> 00:06:26,333
♪♪

126
00:06:26,333 --> 00:06:29,500
[ Piano plays
mid-tempo classical music ]

127
00:06:29,500 --> 00:06:32,708
♪♪

128
00:06:32,708 --> 00:06:34,833
[ Piano plays
slow classical music ]

129
00:06:34,833 --> 00:06:37,042
♪♪

130
00:06:37,042 --> 00:06:40,167
[ Piano plays
mid-tempo classical music ]

131
00:06:40,167 --> 00:06:43,792
♪♪

132
00:06:43,792 --> 00:06:47,417
♪♪

133
00:06:47,417 --> 00:06:50,417
[ Piano plays
up-tempo ragtime music ]

134
00:06:50,417 --> 00:06:53,833
♪♪

135
00:06:53,833 --> 00:06:57,167
[ Cheers and applause ]

136
00:06:57,167 --> 00:07:00,542
I don't think I'll ever stop
teaching piano.

137
00:07:00,542 --> 00:07:04,250
It's what I do best.
It's what I love the most.

138
00:07:04,250 --> 00:07:07,458
I really have a hard time
taking vacations

139
00:07:07,458 --> 00:07:10,167
without feeling like
I'm missing out on teaching.

140
00:07:10,167 --> 00:07:11,625
Yeah!

141
00:07:11,625 --> 00:07:16,083
-Follow Billy on Instagram

142
00:07:16,083 --> 00:07:17,917
and learn more
about his teaching

143
00:07:17,917 --> 00:07:22,208
and live-performance schedule
at billydisaster.com.

144
00:07:22,208 --> 00:07:26,083
♪♪

145
00:07:26,083 --> 00:07:28,833
Powerhouse singer-songwriter
Tiffany Wilson

146
00:07:28,833 --> 00:07:31,125
recently landed
the part of Madame Z

147
00:07:31,125 --> 00:07:34,375
in Teatro ZinZanni's
25th-anniversary show.

148
00:07:34,375 --> 00:07:36,917
And to celebrate
this cool accomplishment,

149
00:07:36,917 --> 00:07:41,417
here is Tiffany from 2018
performing "Shut the Door."

150
00:07:41,417 --> 00:07:44,333
[ Drum plays ]

151
00:07:44,333 --> 00:07:48,167
[ Funky soul music plays ]

152
00:07:48,167 --> 00:07:51,042
♪♪

153
00:07:51,042 --> 00:07:53,292
-♪ Oh, look at you ♪

154
00:07:53,292 --> 00:07:55,667
♪ You done got
all beside yourself ♪

155
00:07:55,667 --> 00:07:57,875
♪ You know, once you leave,
ain't no coming back ♪

156
00:07:57,875 --> 00:08:00,333
♪♪

157
00:08:00,333 --> 00:08:03,208
♪ Shut the door ♪

158
00:08:03,208 --> 00:08:07,583
♪ Don't let it hit you
on the way out ♪

159
00:08:07,583 --> 00:08:11,083
♪ Shut the door ♪

160
00:08:11,083 --> 00:08:14,958
♪ Don't let it hit you
on the way out ♪

161
00:08:14,958 --> 00:08:16,583
♪♪

162
00:08:16,583 --> 00:08:20,292
♪ Gave you my everything,
but that ain't enough ♪

163
00:08:20,292 --> 00:08:24,542
♪ You want what's left of me,
my last drop of blood ♪

164
00:08:24,542 --> 00:08:28,500
♪ I'm the one in my pocket
that's keeping us afloat ♪

165
00:08:28,500 --> 00:08:32,542
♪ Time to throw you overboard,
you rockin' my boat ♪

166
00:08:32,542 --> 00:08:36,958
♪ You were down on your luck,
and I came and made you fly ♪

167
00:08:36,958 --> 00:08:40,458
♪ Think you can do better, baby,
hit the road back on and try ♪

168
00:08:40,458 --> 00:08:42,875
♪ You could do, you could do,
you could do, you could do ♪

169
00:08:42,875 --> 00:08:46,208
♪ Hey, you could do better,
baby ♪

170
00:08:46,208 --> 00:08:48,208
♪ Yeah, right ♪

171
00:08:48,208 --> 00:08:51,417
♪ Shut the door ♪

172
00:08:51,417 --> 00:08:54,833
♪ Don't let it hit you
on the way out ♪

173
00:08:54,833 --> 00:08:56,917
♪ Mm-mm mm mm ♪

174
00:08:56,917 --> 00:08:59,458
♪ Shut the door ♪

175
00:08:59,458 --> 00:09:03,000
♪ Don't let it hit you
on the way out ♪

176
00:09:03,000 --> 00:09:05,250
♪ While you at it ♪

177
00:09:05,250 --> 00:09:09,042
♪ Pack your damn duffel bag
and that stupid grin ♪

178
00:09:09,042 --> 00:09:13,208
♪ Call your moms, let her know
you movin' back in ♪

179
00:09:13,208 --> 00:09:17,083
♪ All your lyin', triflin',
and insensitive ways ♪

180
00:09:17,083 --> 00:09:21,750
♪ Makes me want to come
and smack about your face ♪

181
00:09:21,750 --> 00:09:23,208
♪ Good to see you
made a big mistake ♪

182
00:09:23,208 --> 00:09:25,542
♪ The biggest fight
of your life ♪

183
00:09:25,542 --> 00:09:27,083
♪ When it finally hit you, boy ♪

184
00:09:27,083 --> 00:09:29,500
♪ You gonna
break on down and cry ♪

185
00:09:29,500 --> 00:09:31,542
♪ You could do, you could do,
you could do, you could do ♪

186
00:09:31,542 --> 00:09:34,750
♪ You could do, you could do,
you could do better, baby ♪

187
00:09:34,750 --> 00:09:36,167
♪ Yeah, right ♪

188
00:09:36,167 --> 00:09:38,583
♪ Ah, you could do,
you could do ♪

189
00:09:38,583 --> 00:09:40,167
♪ You could do, you could do,
you could do ♪

190
00:09:40,167 --> 00:09:42,750
♪ You could do,
you could do better, baby ♪

191
00:09:42,750 --> 00:09:45,667
♪ Yeah, right ♪

192
00:09:45,667 --> 00:09:48,292
♪ Shut the door ♪

193
00:09:48,292 --> 00:09:51,750
♪ Don't let it hit you
on the way out ♪

194
00:09:51,750 --> 00:09:53,625
♪ Mm-mm mm mm ♪

195
00:09:53,625 --> 00:09:56,542
♪ Shut my door ♪

196
00:09:56,542 --> 00:09:59,958
♪ Don't let it hit you
on the way out ♪

197
00:09:59,958 --> 00:10:02,000
♪♪

198
00:10:02,000 --> 00:10:05,917
♪ You were down on your luck,
I came and made you fly ♪

199
00:10:05,917 --> 00:10:09,958
♪ Think you can do better, baby,
hit the road back on and try ♪

200
00:10:09,958 --> 00:10:13,833
♪ You were down on your luck,
I came and made you fly ♪

201
00:10:13,833 --> 00:10:18,500
♪ Yeah-eah-eah ♪

202
00:10:18,500 --> 00:10:20,167
-♪ You could do better, baby ♪

203
00:10:20,167 --> 00:10:23,000
-♪ Said you could do better,
baby ♪

204
00:10:23,000 --> 00:10:24,250
-♪ You could do better, baby ♪

205
00:10:24,250 --> 00:10:26,000
-♪ Yeah, yeah, yeah ♪

206
00:10:26,000 --> 00:10:28,167
-♪ You could do better, baby ♪

207
00:10:28,167 --> 00:10:30,750
-♪ I know you could do better,
baby ♪

208
00:10:30,750 --> 00:10:32,125
-♪ Do better, baby ♪

209
00:10:32,125 --> 00:10:34,375
-♪ Just not better than me ♪

210
00:10:34,375 --> 00:10:35,833
-♪ Do better, baby ♪

211
00:10:35,833 --> 00:10:38,042
-♪ Oh, you could do better ♪

212
00:10:38,042 --> 00:10:39,708
-♪ Do better, baby ♪

213
00:10:39,708 --> 00:10:41,750
-♪ Oh, yeah, yeah ♪

214
00:10:41,750 --> 00:10:43,875
-♪ Do better, baby ♪

215
00:10:43,875 --> 00:10:46,458
-♪ Yeah, yeah ♪

216
00:10:46,458 --> 00:10:48,000
-♪ Do better ♪

217
00:10:48,000 --> 00:10:51,042
[ Cheers and applause ]

218
00:10:51,042 --> 00:10:53,208
-Alright!

219
00:10:53,208 --> 00:10:55,208
♪♪

220
00:10:55,208 --> 00:10:58,667
See Tiffany as Madame Z
in Teatro ZinZanni's

221
00:10:58,667 --> 00:11:02,375
current show, running
now through March 31, 2024,

222
00:11:02,375 --> 00:11:05,583
at the Lotte Hotel
in downtown Seattle.

223
00:11:05,583 --> 00:11:10,625
♪♪

224
00:11:10,625 --> 00:11:14,542
Next up, "Object/Ritual,"
a striking exhibit

225
00:11:14,542 --> 00:11:17,958
by artist Selena Kearney
at Solas Gallery.

226
00:11:17,958 --> 00:11:19,958
♪♪

227
00:11:19,958 --> 00:11:21,875
-We're in beautiful Seattle

228
00:11:21,875 --> 00:11:26,292
at Solas Gallery
in Pioneer Square.

229
00:11:26,292 --> 00:11:28,000
When I see the work
on the wall today

230
00:11:28,000 --> 00:11:30,625
and I look at it,
I think to myself,

231
00:11:30,625 --> 00:11:32,208
"This is what I wanted to say.

232
00:11:32,208 --> 00:11:35,750
I wanted these images
to be uncanny and dark."

233
00:11:35,750 --> 00:11:38,083
♪♪

234
00:11:38,083 --> 00:11:39,833
I grew up on the
Chehalis Indian Reservation

235
00:11:39,833 --> 00:11:44,000
in Southwest Washington,
and I have six siblings.

236
00:11:44,000 --> 00:11:46,875
And my mom and my siblings
still live there.

237
00:11:46,875 --> 00:11:49,625
I think it was around 2016,

238
00:11:49,625 --> 00:11:53,125
I started to be curious
about the power

239
00:11:53,125 --> 00:11:57,083
that dressing up like an Indian
for Halloween had,

240
00:11:57,083 --> 00:11:59,917
and people being very enraged

241
00:11:59,917 --> 00:12:03,833
at someone who would dress
as a native for Halloween

242
00:12:03,833 --> 00:12:06,292
and not be native.
So I started to be curious

243
00:12:06,292 --> 00:12:09,500
about why those objects
had so much power

244
00:12:09,500 --> 00:12:11,875
and what was it
about the objects

245
00:12:11,875 --> 00:12:14,875
that provoked so much emotion.

246
00:12:14,875 --> 00:12:18,250
And so I decided to consult
the objects themselves.

247
00:12:18,250 --> 00:12:21,083
I bought them
on eBay and Amazon,

248
00:12:21,083 --> 00:12:24,625
and started to collect them
and decontextualize them

249
00:12:24,625 --> 00:12:27,375
in a large black box
and photograph them.

250
00:12:27,375 --> 00:12:30,500
And so what you're seeing
on the walls right now

251
00:12:30,500 --> 00:12:35,250
are this five-year-long process
of collecting the objects,

252
00:12:35,250 --> 00:12:39,125
photographing them,
kind of taking everything away.

253
00:12:39,125 --> 00:12:42,750
The jerseys don't have
a player in them.

254
00:12:42,750 --> 00:12:45,292
The headdress is not
at a festival.

255
00:12:45,292 --> 00:12:50,292
I believe that the way
that indigenous people

256
00:12:50,292 --> 00:12:54,792
have been viewed or placed
is in the past,

257
00:12:54,792 --> 00:12:58,750
and as not a present,
modern population.

258
00:12:58,750 --> 00:13:02,875
And if you place
and keep a people in the past,

259
00:13:02,875 --> 00:13:07,667
you can make them a myth
and then you can consume them.

260
00:13:07,667 --> 00:13:11,458
That can be something
you can embody.

261
00:13:11,458 --> 00:13:14,875
Of course, it's
this ubiquitous activity

262
00:13:14,875 --> 00:13:17,667
to consume objects
in our world right now.

263
00:13:17,667 --> 00:13:22,708
I'm curious more
about what it would take

264
00:13:22,708 --> 00:13:26,875
for someone to wear them
than to buy them,

265
00:13:26,875 --> 00:13:31,750
and when they wear the objects,
what place they go to,

266
00:13:31,750 --> 00:13:33,708
when they're wearing
the objects,

267
00:13:33,708 --> 00:13:36,000
what sort of
unconscious thoughts

268
00:13:36,000 --> 00:13:37,583
that they're expressing

269
00:13:37,583 --> 00:13:41,042
through the purchase
and donning of the objects.

270
00:13:41,042 --> 00:13:43,833
[ Indistinct conversations
in background ]

271
00:13:43,833 --> 00:13:46,583
Whenever I do something
that is important to me,

272
00:13:46,583 --> 00:13:49,042
I have to invite my ancestors
to be there with me.

273
00:13:49,042 --> 00:13:52,125
I owe them their presence.

274
00:13:52,125 --> 00:13:53,625
Thank you for being here.

275
00:13:53,625 --> 00:13:55,750
And then I also
have to consider

276
00:13:55,750 --> 00:13:58,042
the people
that will come after me.

277
00:13:58,042 --> 00:13:59,958
Otherwise, you're going to
make a mess of things.

278
00:13:59,958 --> 00:14:01,625
[ Chuckles ]

279
00:14:01,625 --> 00:14:05,917
It would be impossible to be
an indigenous person

280
00:14:05,917 --> 00:14:09,625
making contemporary work
about indigenous identity

281
00:14:09,625 --> 00:14:11,417
without being political.

282
00:14:11,417 --> 00:14:14,458
But my hope is
that it pushes the boundaries

283
00:14:14,458 --> 00:14:17,500
of how we think
about each other,

284
00:14:17,500 --> 00:14:20,458
and it works more towards
a space of reconciliation

285
00:14:20,458 --> 00:14:24,292
that we're working together
to understand each other.

286
00:14:24,292 --> 00:14:27,375
We've been here
for thousands of years,

287
00:14:27,375 --> 00:14:30,083
and then thousands of years
after I'm gone,

288
00:14:30,083 --> 00:14:31,792
we'll still be here.

289
00:14:31,792 --> 00:14:35,000
And I also believe
that we will last a long time

290
00:14:35,000 --> 00:14:38,708
with the things that we can
teach and make and create,

291
00:14:38,708 --> 00:14:42,583
that our culture
is going to last forever.

292
00:14:42,583 --> 00:14:49,583
♪♪

293
00:14:49,583 --> 00:14:53,625
-"Object/Ritual" runs now
through January 2024

294
00:14:53,625 --> 00:14:55,208
at Solas Gallery

295
00:14:55,208 --> 00:14:58,750
and opens at the
Suquamish Museum in May 2024.

296
00:14:58,750 --> 00:15:03,833
Explore more of Selena's work
at selenakearney.com.

297
00:15:03,833 --> 00:15:07,417
♪♪

298
00:15:07,417 --> 00:15:09,542
And that is a wrap.

299
00:15:09,542 --> 00:15:11,500
Big thanks to
Cascadia Art Museum

300
00:15:11,500 --> 00:15:13,167
for hosting us,

301
00:15:13,167 --> 00:15:15,833
and a reminder that
"Full Light and Perfect Shadow:

302
00:15:15,833 --> 00:15:17,917
The Photography
of Chao-Chen Yang"

303
00:15:17,917 --> 00:15:21,292
runs now through
February 11, 2024.

304
00:15:21,292 --> 00:15:23,625
And thanks to you
for tuning in.

305
00:15:23,625 --> 00:15:26,458
Have a great week,
and we'll see you soon.

306
00:15:26,458 --> 00:15:29,375
[ Up-tempo music plays ]

307
00:15:29,375 --> 00:15:32,417
[ Up-tempo soul music plays ]

308
00:15:32,417 --> 00:15:37,250
♪♪

309
00:15:37,250 --> 00:15:40,208
-♪ Uh-huh-uh ♪

310
00:15:40,208 --> 00:15:42,958
♪ Hey, uh-huh ♪

311
00:15:42,958 --> 00:15:45,208
-♪ I know you want love ♪

312
00:15:45,208 --> 00:15:46,500
>> ♪ Uh-huh ♪

313
00:15:46,500 --> 00:15:47,833
-♪ Gotta give it up ♪

314
00:15:47,833 --> 00:15:49,333
-♪ Uh-huh ♪

315
00:15:49,333 --> 00:15:52,208
-♪ Ah ooh-ooh ♪

316
00:15:52,208 --> 00:15:53,750
♪ Yeah, yeah ♪

317
00:15:53,750 --> 00:15:55,167
-♪ Uh-huh-uh ♪

318
00:15:55,167 --> 00:15:57,750
-♪ Everybody needs love ♪

319
00:15:57,750 --> 00:16:00,208
♪ Oh, give some love ♪

320
00:16:00,208 --> 00:16:01,583
-♪ Uh-huh-uh ♪

321
00:16:01,583 --> 00:16:03,667
-♪ Hey, give love ♪

322
00:16:03,667 --> 00:16:05,875
-♪ No, no, no ♪

323
00:16:05,875 --> 00:16:07,500
♪ Uh-huh, uh-huh ♪

324
00:16:07,500 --> 00:16:09,750
♪ Everybody needs love ♪

325
00:16:09,750 --> 00:16:11,083
-♪ Uh-huh, uh-huh ♪

326
00:16:11,083 --> 00:16:12,542
-♪ Gonna give some love ♪

327
00:16:12,542 --> 00:16:13,875
-♪ Uh-huh, uh-huh ♪

328
00:16:13,875 --> 00:16:18,833
-♪ Hey, give lo-o-o-ve ♪

329
00:16:18,833 --> 00:16:21,500
♪ Whoa ooh ooh ♪

330
00:16:21,500 --> 00:16:22,792
-♪ Uh-huh, uh-huh ♪

331
00:16:22,792 --> 00:16:24,667
-♪ Oh, love ♪

332
00:16:24,667 --> 00:16:26,000
-♪ Uh-huh, uh-huh ♪

333
00:16:26,000 --> 00:16:27,583
-♪ Whoo, whoa oh ♪

334
00:16:27,583 --> 00:16:29,042
-♪ Uh-huh, uh-huh ♪

335
00:16:29,042 --> 00:16:30,542
♪♪

336
00:16:30,542 --> 00:16:32,125
♪ Uh-huh, uh-huh ♪

337
00:16:32,125 --> 00:16:35,583
♪ Uh-huh ♪

338
00:16:35,583 --> 00:16:42,042
♪♪

339
00:16:42,042 --> 00:16:48,542
♪♪

340
00:16:48,542 --> 00:16:50,542
-Yeah! [ Laughs ]

341
00:17:01,208 --> 00:17:05,792
♪♪