﻿1
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♪♪

2
00:00:16,586 --> 00:00:17,721
(magic wand swooshes)

3
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Hello, neighbor.

4
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I’m MS PAM and welcome to Martyr
Sauce Pop Art Museum.

5
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♪♪

6
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(phone ringing)

7
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Kisha Vaughan,

8
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just the person
I was thinking of.

9
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♪♪

10
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-Hey....
-Hey...

11
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♪♪

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[Announcer]
Thank You, MS PAM

13
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was recorded in
front of a live studio audience.

14
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-You know something I've been thinking about.

15
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The first piece of art

16
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that you ever own
is your lunch box.

17
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Now, I know, I know.

18
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It sounds crazy, but just
think about it for a second.

19
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In addition to it
being a cute fashion accessory

20
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to match, either your bookbag
or your Trapper Keeper, it’s

21
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a visual representation
of all your faves: your favorite colors,

22
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your favorite characters,

23
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and your favorite television show.

24
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(magic wand swooshes)

25
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This lunch box from the hit
television show Julia,

26
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which aired in 1968,
starring the late,

27
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great Diahann Carroll.

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♪♪

29
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And even though I wasn't
around back then,

30
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this lunch box represents
a few of my faves.

31
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For starters, did you know that
Diahann Carroll

32
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was the first Black woman
to ever appear on a lunch box?

33
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A sophisticated choice for a kid
to make over

34
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superheroes like Spider-Man,
Superman and Wonder Woman.

35
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But we all know who
the real superheroes are.

36
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Mothers.

37
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So I supersized it.

38
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What do you think's inside it?

39
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What was inside your lunch box?

40
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Do you remember?

41
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Do you want me to show you
what was in mine?

42
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I'll show you.

43
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Now we all know what was
prepared in the morning,

44
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didn't always last until lunchtime.

45
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(snap)

46
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(magic wand swooshes)

47
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Every lunch,
I always had a sandwich.

48
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And you can't have a sandwich
without

49
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bread.

50
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(snap)

51
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(magic wand swooshes)

52
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(applause)

53
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Let's make a sandwich, shall we?

54
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(cartoon falling sound)

55
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(snap)

56
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(magic wand swooshes)

57
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As you can probably guess,

58
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I'm not a big fan of cheese
sandwiches.

59
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(cartoon falling sound)

60
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Well, enough
about what's in my lunch box.

61
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Let's check out the fantabulous
London Plane.

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♪♪

63
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-Hey.
-Hey.

64
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-I’m so happy to see you.

65
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-Great to see you.
How you doing, MS PAM?

66
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-Oh, great.

67
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(film crinkles)

68
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-Ryan Waters

69
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(applause)

70
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♪♪

71
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(film crinkles)

72
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♪♪

73
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-Right now we're cooking

74
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with asparagus, fresh greens,
lots of lettuce, which is,

75
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sounds crazy,

76
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but we're really excited
about it because it's springtime

77
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and we haven't had lettuce like
good lettuce all year round.

78
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We are always changing the menu
and it's really it's

79
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totally dependent
on what we get from the farms.

80
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And we work with probably,

81
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I don't know, seven
or eight farms

82
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and they always deliver stuff
throughout the week.

83
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The vegetables
and the stuff in the farm really

84
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is like the focus
of this restaurant

85
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outside of the pastries
and the flowers.

86
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It's three pretty big parts
of this business

87
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and we all try to like work
together.

88
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Actually a lot of our farmers
do bring flowers

89
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to our floral team.

90
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-Man, that seems like
the perfect thing to eat.

91
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Like, fresh off the road.
-Perfect.

92
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-Yeah.

93
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-So any time

94
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I come to a town, I'm
looking for a place like this.

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♪♪

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(film strip crackles)

97
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-We need somebody in here

98
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with as much flavor
as this bubblegum.

99
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(phone rings)

100
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(phone rings)

101
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Kisha Vaughan,

102
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just the person
I was thinking of.

103
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♪♪

104
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♪ I can get
fly, fly, fly ♪

105
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♪ Fly fly fly. ♪

106
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♪ I can get fly, fly fly. ♪

107
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♪ Fly, fly, fly. I can get fly. ♪

108
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♪ Fly. Fly, fly, fly. I can get fly. ♪

109
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♪ Fly. Fly, fly, fly. ♪

110
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♪ Relax your mind, ♪

111
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♪ and let it unwind. ♪

112
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♪ No time for fights. ♪

113
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♪ Just open your eyes. ♪

114
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-Hey.
-Hey.

115
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-I’m so happy you’re here.

116
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-I know.

117
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-Oh, my goodness.
-This is beyond.

118
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Beyond right now.

119
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This space.

120
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Us.
-Us being here.

121
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Yes. Yes.

122
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Well, it's such a treasure
to have you here.

123
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I’ve been a fan of yours
for a long, long time.

124
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So I have to ask, cause
I remember,

125
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So it was just me and my sister,

126
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grew up in Richmond,
Virginia, have experience

127
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when you go outside,

128
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you need to come in

129
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before the street lights
come on,

130
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kids in the neighborhood,
that kind of thing.

131
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I know there was a lot of competition

132
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with who was up on

133
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the latest dance moves,
who could kick it the flyest.

134
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-You already know, I have, like,
a vivid memory of this one

135
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New Year's Eve.

136
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And it was like

137
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the kids were all downstairs,
parents were upstairs partying.

138
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And it was like the first time
I actually taught someone a dance.

139
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Which, granted
it was the Electric Slide.

140
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And I don't even know how I had
learned it, but somehow I did.

141
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And so I taught it to my sisters
and our next door neighbor.

142
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And we danced to Big Daddy Kane.

143
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-Do you remember
the name of the song?

144
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♪ Is this good to me
I’ll do for you ♪

145
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-I did it. I just said I wasn’t
going to do it.

146
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-But I was with you.

147
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(Overlapping voices)
Like, the beat was perfect for it.

148
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Yeah. And that's
what we did all night.

149
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And so we

150
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and that's

151
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what I always like
to tell my students, like,

152
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if you can do
the Electric Slide, I mean.

153
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That's weddings, parties,

154
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anything.

155
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Like it's just a standard
good vibe moment.

156
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-Yeah.
-That is going to bring everyone together.

157
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-Yeah.
-And that was like my first time

158
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really like teaching.
-Yeah, yeah.

159
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-Of course, like, I always knew I could
dance and I loved to dance, but

160
00:07:41,431 --> 00:07:44,734
the opportunity to take classes
just wasn't available to me.

161
00:07:44,734 --> 00:07:45,101
-Yeah.

162
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And so it was me
watching Solid Gold

163
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and dancing on the coffee table,

164
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and then going in the bathroom,
closing the door

165
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and in the mirror,
like trying to do the moves,

166
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trying to learn dances
off of music videos.

167
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And that really was like
my first time, like

168
00:08:00,350 --> 00:08:01,184
trying to learn choreography.

169
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I mean, Janet Jackson, “If.”

170
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(humming)

171
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And that was like

172
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so my like pop culture
longing for movement

173
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and the idea of being a dancer,
it seemed so far for me,

174
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but like during that time
it just felt like accessible.

175
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♪ Let’s
just take a ride along the bay ♪

176
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(camera shutter clicks)

177
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♪ We don’t need to work,
reconsider our new place ♪

178
00:08:32,515 --> 00:08:36,152
♪ I've been waiting for
so long to get away ♪

179
00:08:36,152 --> 00:08:36,719
(camera shutter clicks)

180
00:08:37,887 --> 00:08:39,722
♪ Baby, don't hold back ♪

181
00:08:39,722 --> 00:08:45,295
♪ All you gotta do is say,
what would you like ♪

182
00:08:45,328 --> 00:08:48,932
♪ to be satisfied with me ♪

183
00:08:51,567 --> 00:08:52,535
All right.

184
00:08:52,535 --> 00:08:55,939
Now for sandwich number
dos - two.

185
00:08:56,372 --> 00:08:57,573
We have the classic

186
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(fingers snap)

187
00:08:58,708 --> 00:08:59,943
PB and J

188
00:08:59,943 --> 00:09:01,144
(magic wand swooshes)

189
00:09:01,978 --> 00:09:05,381
into the lunch box you go.

190
00:09:05,515 --> 00:09:07,884
(cartoon falling sound)

191
00:09:07,884 --> 00:09:09,452
Da-da-da-dahhhh.

192
00:09:10,386 --> 00:09:14,223
So what was in your lunch box?

193
00:09:14,791 --> 00:09:17,160
What was the mainstay like?

194
00:09:17,160 --> 00:09:19,028
You can always count on this
to be in there.

195
00:09:19,028 --> 00:09:23,700
-Me and my older sister, would
have to make our own lunches.

196
00:09:23,733 --> 00:09:24,300
-Okay?

197
00:09:24,300 --> 00:09:26,836
Like most things
we’d make a game out of it.

198
00:09:26,836 --> 00:09:27,670
Like cleaning our room.

199
00:09:27,670 --> 00:09:30,440
Like we'd flip one of those,
like, hourglass timers,

200
00:09:30,440 --> 00:09:31,908
and you have to clean
as much as you can.

201
00:09:31,908 --> 00:09:33,343
30 second cleanup.

202
00:09:33,343 --> 00:09:37,246
So making our lunches
we did doctor peanut butter

203
00:09:37,246 --> 00:09:40,316
and nurse jelly and be like
nurse, bread (hands slap)

204
00:09:41,250 --> 00:09:43,353
knife (hands slap)
peanut butter (hands slap)

205
00:09:43,353 --> 00:09:46,556
you know like
we would make our sandwiches

206
00:09:46,889 --> 00:09:48,958
and then put it
in the little plastic bag

207
00:09:48,958 --> 00:09:50,126
and then you would open it up

208
00:09:50,126 --> 00:09:53,363
and it'd be flat because
the apple rolled over it.

209
00:09:53,563 --> 00:09:55,898
And you just have this
like bread

210
00:09:55,898 --> 00:10:01,037
that just had the sink hole
and it'd be like gray, like,

211
00:10:01,270 --> 00:10:03,840
and then you like peeling it out
kind of.

212
00:10:03,873 --> 00:10:06,909
And yeah, I mean, it’s just so.

213
00:10:06,909 --> 00:10:08,778
-Where it started
and where it ended up

214
00:10:08,778 --> 00:10:10,913
are two completely different.
-Completely.

215
00:10:10,913 --> 00:10:12,749
-Yeah.
-Well, thank you for being here.

216
00:10:12,749 --> 00:10:13,683
Thank you for coming.

217
00:10:13,683 --> 00:10:16,052
And thank you
for bringing all the flavor.

218
00:10:16,052 --> 00:10:17,020
I really appreciate it.

219
00:10:17,020 --> 00:10:19,355
-Thank you for having me.
-Yes.

220
00:10:19,455 --> 00:10:20,223
All right.

221
00:10:23,059 --> 00:10:28,531
(ad jingle)

222
00:10:29,032 --> 00:10:31,567
(announcer voice)
Now a new and totally different bath

223
00:10:31,567 --> 00:10:34,604
and beauty bar with glorious new
cleaning action,

224
00:10:34,670 --> 00:10:38,274
and new positive
deodorant action.

225
00:10:38,441 --> 00:10:41,778
All in one wonderful bar.

226
00:10:42,178 --> 00:10:47,116
(ad jingle)

227
00:10:48,418 --> 00:10:49,352
(television static)

228
00:10:49,519 --> 00:10:52,488
♪♪

229
00:10:53,890 --> 00:10:56,893
(dreamy mumbling)

230
00:10:57,693 --> 00:10:59,729
♪♪

231
00:10:59,996 --> 00:11:01,431
(dreamy mumbling)

232
00:11:01,631 --> 00:11:02,899
♪♪

233
00:11:03,566 --> 00:11:04,500
(television static)

234
00:11:04,500 --> 00:11:07,503
Live from the Paramount
Theatre, it’s the

235
00:11:07,503 --> 00:11:10,373
Tonight Show with MS PAM.

236
00:11:10,540 --> 00:11:12,809
(applause)

237
00:11:15,711 --> 00:11:31,160
♪♪

238
00:11:32,228 --> 00:11:34,764
Hold on to your butts hey.

239
00:11:34,831 --> 00:12:18,641
♪♪

240
00:12:18,641 --> 00:12:21,644
(applause)

241
00:12:24,747 --> 00:12:26,149
Hey.

242
00:12:26,782 --> 00:12:28,484
All right.

243
00:12:28,484 --> 00:12:29,519
How y’all doing up there?

244
00:12:30,319 --> 00:12:33,356
Yes, welcome, welcome, welcome.

245
00:12:33,356 --> 00:12:35,191
Welcome to The Late Show.

246
00:12:35,191 --> 00:12:37,793
I am your host, MS PAM.

247
00:12:37,960 --> 00:12:39,061
(applause)

248
00:12:39,061 --> 00:12:42,064
I woke up this morning thinking,
oh, I am tired.

249
00:12:42,665 --> 00:12:47,703
Boy I'm not sure if I'm going
to get myself together today.

250
00:12:48,404 --> 00:12:50,640
I mean, I'm
not sure if I can make it.

251
00:12:51,574 --> 00:12:54,777
And then I thought, wait,
wait a minute.

252
00:12:55,244 --> 00:12:58,214
I think that every
single morning.

253
00:12:58,281 --> 00:12:58,748
(laughter)

254
00:12:58,948 --> 00:12:59,582
Am I right.

255
00:13:00,616 --> 00:13:02,385
Oh. I tell you, mornings in America.

256
00:13:03,219 --> 00:13:04,687
Happy I'm only dreaming.

257
00:13:05,888 --> 00:13:06,556
(television static)

258
00:13:06,656 --> 00:13:10,092
Speaking of dreamy, we're coming
to you tonight from the world

259
00:13:10,092 --> 00:13:15,031
famous historical landmark,
the Paramount Theatre.

260
00:13:15,531 --> 00:13:17,633
Yeah it’s crazy right?

261
00:13:17,633 --> 00:13:20,670
This is where dreams really do
come true.

262
00:13:20,670 --> 00:13:24,574
And it's not even 100 years

263
00:13:24,574 --> 00:13:27,510
old, and yet
it's considered historical.

264
00:13:28,110 --> 00:13:30,780
Oh, your memory has to be
pretty short

265
00:13:30,780 --> 00:13:32,014
to think that something

266
00:13:32,014 --> 00:13:35,985
that is less than 100
years is historical.

267
00:13:36,419 --> 00:13:37,253
Am I right.

268
00:13:37,253 --> 00:13:38,120
Sorry, Grandma.

269
00:13:38,187 --> 00:13:39,956
(applause)

270
00:13:39,956 --> 00:13:42,625
And with that, we have
a great show for you tonight.

271
00:13:42,625 --> 00:13:44,260
The Black Tones are here.

272
00:13:44,527 --> 00:13:48,064
(orchestra warming up)

273
00:13:48,497 --> 00:13:49,966
I want y’all to say hello

274
00:13:49,966 --> 00:13:53,002
to the legendary Bonkers

275
00:13:53,336 --> 00:14:09,151
♪♪

276
00:14:11,420 --> 00:14:16,459
[ANNOUNCER]
America's favorite, quality and values since 1930.

277
00:14:17,793 --> 00:14:20,696
(bleep) Take it away, MS PAM.

278
00:14:21,564 --> 00:14:22,865
(magic wand swooshes)

279
00:14:23,432 --> 00:14:26,002
You know,
I can throw down in the kitchen,

280
00:14:26,736 --> 00:14:29,038
but for those times
where you need something quick,

281
00:14:29,038 --> 00:14:33,509
fast, and in a (bleep).
Shall we?

282
00:14:33,509 --> 00:15:04,740
♪♪

283
00:15:04,740 --> 00:15:05,841
(television static)

284
00:15:06,042 --> 00:15:09,011
Aramis Hamer and Jazz Brown.

285
00:15:09,211 --> 00:15:13,382
(applause)

286
00:15:13,416 --> 00:15:18,020
Oh. So happy to see you.

287
00:15:29,131 --> 00:15:30,333
Right.

288
00:15:31,067 --> 00:15:34,603
Both of you
were a part of RE:DEFINITION,

289
00:15:34,837 --> 00:15:37,006
its inaugural

290
00:15:38,841 --> 00:15:39,475
-Right

291
00:15:41,077 --> 00:15:42,011
debut event.

292
00:15:42,445 --> 00:15:44,814
Inaugural debut event.

293
00:15:44,814 --> 00:15:47,783
Yes, it was a really fun thing
that Jonathan Moore

294
00:15:47,783 --> 00:15:49,952
and I started, the late,
great Jonathan

295
00:15:49,985 --> 00:15:53,422
Moore, back in 2000...15?

296
00:15:53,923 --> 00:15:56,058
2015. Yeah.

297
00:15:56,058 --> 00:16:00,429
So what do you remember
about those openings?

298
00:16:00,429 --> 00:16:01,464
-Oh, my God.

299
00:16:01,464 --> 00:16:03,632
-Oh. First,
I thought it was amazing.

300
00:16:03,632 --> 00:16:05,735
Like so honored
to be a part of the project

301
00:16:05,735 --> 00:16:08,738
with you and Jonathan
and the entire team.

302
00:16:09,038 --> 00:16:10,840
Vivian was there. Just.

303
00:16:10,840 --> 00:16:11,907
It was just.

304
00:16:11,907 --> 00:16:14,777
Yes. It was just amazing.

305
00:16:15,044 --> 00:16:18,114
I think I was showing some pieces
from my trap conscious series,

306
00:16:18,647 --> 00:16:20,349
like I love trap music.

307
00:16:20,349 --> 00:16:21,450
I actually do like,

308
00:16:21,450 --> 00:16:23,619
It was like
this kind of play on words.

309
00:16:23,619 --> 00:16:25,755
I paint a lot of chains
in my work.

310
00:16:25,821 --> 00:16:26,889
-Yeah
-I love chains.

311
00:16:26,889 --> 00:16:30,192
Kinda this nod to hip hop,
but also how can we break

312
00:16:30,192 --> 00:16:33,095
free from the chains that like
keep us mentally bound?

313
00:16:33,229 --> 00:16:33,763
You know,

314
00:16:33,763 --> 00:16:37,800
and so the actual word of trap,
how does music keep us trapped?

315
00:16:37,800 --> 00:16:39,935
But how can it also be a tool to free us?
-Yeah.

316
00:16:40,202 --> 00:16:41,170
So those are some of the pieces

317
00:16:41,170 --> 00:16:43,339
I had in that
in that RE:DEFINITION show.

318
00:16:43,339 --> 00:16:45,741
And it was just
that was my first series

319
00:16:45,741 --> 00:16:47,376
actually where I did
like a collection of,

320
00:16:47,376 --> 00:16:49,111
like a body of work itself.

321
00:16:49,111 --> 00:16:50,913
-Yeah, yes.
-I'm honored that you, like.

322
00:16:50,913 --> 00:16:52,548
Provide us with the
opportunity to do it.

323
00:16:52,548 --> 00:16:54,316
-Oh, my goodness.

324
00:16:54,316 --> 00:16:56,552
Jazz, what do you remember
about the show?

325
00:16:57,319 --> 00:16:59,855
-You know, looking at the pieces
there in the gallery,

326
00:16:59,855 --> 00:17:03,325
I can see where I was
transitioning from angles

327
00:17:03,759 --> 00:17:04,794
to circles.

328
00:17:04,794 --> 00:17:05,394
-Yeah.

329
00:17:05,394 --> 00:17:08,831
-You know, retrospectively,
I see now that the, you know,

330
00:17:08,831 --> 00:17:11,634
the the right angles
that I used, it was,

331
00:17:11,700 --> 00:17:13,536
you know, somewhat of a trap.
-Yeah.

332
00:17:13,536 --> 00:17:14,170
-You know.

333
00:17:14,170 --> 00:17:14,637
-Yeah.

334
00:17:14,637 --> 00:17:16,939
-So, you know,
I could see them in there.

335
00:17:16,939 --> 00:17:20,042
And I can also see now
where essentially, you know,

336
00:17:20,042 --> 00:17:21,377
they're no longer necessary.

337
00:17:21,444 --> 00:17:22,411
(television static)

338
00:17:22,645 --> 00:17:26,081
♪♪

339
00:17:26,348 --> 00:17:28,250
-Can you remember,
like when you were a kid,

340
00:17:28,684 --> 00:17:30,553
what was in your lunch box
growing up?

341
00:17:30,553 --> 00:17:31,153
-That's a,

342
00:17:31,153 --> 00:17:34,457
you know, I don't really think
I had a lunch box. Like we had,

343
00:17:34,457 --> 00:17:35,958
it was like the cafeteria.

344
00:17:35,958 --> 00:17:38,761
And I just remember, like,
being in line with the tray in.

345
00:17:38,761 --> 00:17:39,762
Elementary school.

346
00:17:39,762 --> 00:17:43,032
And like getting my free lunch.

347
00:17:43,232 --> 00:17:45,134
-Right, right, right.
-Oh, you know,

348
00:17:45,134 --> 00:17:46,535
Moms took care of us. She,

349
00:17:46,535 --> 00:17:48,537
she truly did,
you know, with the with

350
00:17:48,537 --> 00:17:50,306
the means
that she was able to do.

351
00:17:50,306 --> 00:17:54,844
But I do remember Flamin’
Hots, Flamin’ Hots was my jam.

352
00:17:54,910 --> 00:17:59,315
And even in Elementary school,
I would draw people's name

353
00:17:59,348 --> 00:18:01,484
in, in bubble
letters for a quarter

354
00:18:01,484 --> 00:18:03,552
so that I could buy
a bag of Flamin’ Hots.

355
00:18:03,552 --> 00:18:05,287
-Right.
-What about you, Jazz?

356
00:18:05,287 --> 00:18:06,288
You remember your lunch?

357
00:18:06,622 --> 00:18:08,257
-I didn't have a lunch box either.

358
00:18:08,257 --> 00:18:09,825
-Yeah. Yeah.
-It was, you know.

359
00:18:09,825 --> 00:18:11,961
Ate in the cafeteria.
-Yeah, yeah.

360
00:18:11,961 --> 00:18:16,365
I had a lunch box up until
about third grade and then,

361
00:18:16,632 --> 00:18:18,367
but then it became not cool.
-Yeah, I was gonna say.

362
00:18:18,701 --> 00:18:20,069
-to bring your lunch box.

363
00:18:20,102 --> 00:18:23,372
it was like, no, you didn't you’re
not buying your lunch in the cafeteria.

364
00:18:23,639 --> 00:18:24,073
-Yeah.

365
00:18:24,073 --> 00:18:29,245
-What was your favorite day menu
in the cafeteria? I know mine.

366
00:18:29,745 --> 00:18:31,981
-Like if they ever had, like,
French fries.

367
00:18:31,981 --> 00:18:33,082
Like, it was such a treat,

368
00:18:33,082 --> 00:18:36,519
if there was ever, like,
some sort of fried anything.

369
00:18:36,519 --> 00:18:37,653
-Yeah, yeah, yeah, yeah.

370
00:18:37,653 --> 00:18:38,888
-Just give me something crispy
or fried.

371
00:18:38,888 --> 00:18:40,623
-Right, right, right. Yeah.
-That was my jam.

372
00:18:40,623 --> 00:18:42,157
-Yeah, yeah. What about you Jazz?

373
00:18:42,157 --> 00:18:43,692
I always went for the pizza.

374
00:18:43,692 --> 00:18:46,128
That square pizza.
-Yeah, the rectangle pizza.

375
00:18:46,128 --> 00:18:47,897
-Yeah.
-And hope you get the good part.

376
00:18:47,897 --> 00:18:49,598
-Yeah, yeah.

377
00:18:49,598 --> 00:18:50,399
That was always, yeah.

378
00:18:50,399 --> 00:18:51,634
I didn't want the edge.

379
00:18:51,634 --> 00:18:55,104
-Right, I know, you got to hope
you get the nice lunch lady

380
00:18:55,104 --> 00:18:57,473
that's gonna give you the one you point to.
-Exactly.

381
00:18:57,473 --> 00:18:59,808
-You’ll eat what I give you.
-Yea, but yeah.

382
00:18:59,842 --> 00:19:01,410
Pizza day was always,
and chocolate milk.

383
00:19:01,410 --> 00:19:04,013
-Chocolate milk!
-Yeah!

384
00:19:04,647 --> 00:19:06,282
-Now I'm like,
that would destroy me.

385
00:19:06,282 --> 00:19:09,418
-Yes. I’d be on the floor.

386
00:19:09,418 --> 00:19:10,185
Done, I know.

387
00:19:10,185 --> 00:19:15,190
Behind the jiffy. Played out
for the rest of the day.

388
00:19:15,190 --> 00:19:18,327
Well,
Aramis Hamer and Jazz Black.

389
00:19:18,327 --> 00:19:20,262
Everybody we’ll be right back.

390
00:19:20,262 --> 00:19:32,474
♪♪

391
00:19:32,675 --> 00:19:33,876
(television static)

392
00:19:33,909 --> 00:19:34,843
Ladies and gentlemen.

393
00:19:34,910 --> 00:19:35,844
(dreamily) Ladies and gentlemen.

394
00:19:36,412 --> 00:19:37,346
The Black Tones

395
00:19:37,346 --> 00:19:38,280
(dreamily) The Black Tones.

396
00:19:38,480 --> 00:19:39,882
(orchestra warming up)

397
00:19:42,151 --> 00:19:57,866
♪♪

398
00:19:58,000 --> 00:20:06,208
♪ Don’t you want me, baby?
Don’t you want me,too? ♪

399
00:20:07,509 --> 00:20:14,783
♪ Don’t you want me, baby?
Because I want you.  ♪

400
00:20:17,152 --> 00:20:26,462
♪ You want your feet off the ground
Well, I can take them around. ♪

401
00:20:27,630 --> 00:20:35,704
♪ You wanna ride on through
My ghetto spaceship for two. ♪

402
00:20:37,339 --> 00:20:46,281
♪ You wanna ride on through
My ghetto spaceship for two. ♪

403
00:20:46,315 --> 00:21:16,378
♪♪

404
00:21:16,412 --> 00:21:25,187
♪ Don't you want me, baby?
Don't you want me, too? ♪

405
00:21:26,655 --> 00:21:34,963
♪ Don't you want me, baby?
Don't you want me, baby. ♪

406
00:21:34,963 --> 00:21:44,473
♪ Don't you want me, baby?
Don't you want me, baby. ♪

407
00:21:46,041 --> 00:21:52,481
(camera shutter)

408
00:21:54,750 --> 00:21:57,953
Oh! That was an amazing time.

409
00:21:58,520 --> 00:22:00,489
I hope you had a great time
as well.

410
00:22:00,823 --> 00:22:03,425
(applause)

411
00:22:03,425 --> 00:22:06,995
Well, I will see you next time.

412
00:22:06,995 --> 00:22:09,431
(applause)

413
00:22:09,498 --> 00:22:10,532
(magic wand swooshes)

414
00:22:10,733 --> 00:22:22,377
♪♪

415
00:22:22,578 --> 00:22:23,412
(television static)

416
00:22:23,812 --> 00:22:27,182
-Yep, you guessed right.
It's tattoo season.

417
00:22:27,282 --> 00:22:30,886
-Ooh
-And I'm so excited

418
00:22:30,886 --> 00:22:32,821
because I get to get a tattoo
from one of my

419
00:22:32,821 --> 00:22:34,723
favorite artists
in all of Seattle.

420
00:22:35,124 --> 00:22:37,760
Can you guess what
I might be getting a tattoo of?

421
00:22:38,360 --> 00:22:39,128
(television static)

422
00:22:39,394 --> 00:23:10,492
♪♪
