Working for a safe, affordable, vibrant, innovative, and interconnected city.
Learn More Home Page This Department
Link to the Office of Film + Music Home Page Link to Office of Film + Music Home Page Link to Office of Film + Music About Us Page Link to Office of Film + Music Contact Us Page
Kate Becker, Director Stephen H. Johnson, Director, Office of Economic Development

Film Home
Film Permits
Film Manual
Film FAQ
Film Resources
Film History
Economic Impact Study
Mayor's Film Award

Music Home
City of Music Website
Music History & Map
Economic Impact Study

Seattle's Content Technology Initiative

Happy Hour Events

In appreciation and recognition of Seattle's long and illustrious film history, we are proud to partner with Scarecrow Video to bring you weekly reviews of historical Seattle films. Each week we will showcase a new movie, with special emphasis on how these films show Seattle's most filmable locations.

Black Widow (1987)
With an intriguing premise and some good performances, it is a shame Black Widow fails at both parts of the erotic thriller genre. In other words, it ain't very sexy or suspenseful. Debra Winger stars as a federal agent investigating a seemingly unconnected accumulation of dead multi-millionaires. She hypothesizes that a single person has intentionally killed those rich guys but her boss thinks her theory is bunk. Winger eventually quits her job so she can pursue her target (played by Theresa Russell) and it all ends up with a predictable plot twist. While not a terrible film, it is a disappointing one considering the folks involved, including director Bob Rafelson, legendary cinematographer Conrad L. Hall, the two leads and a supporting cast featuring Dennis Hopper, James Hong, Diane Ladd, Terry O'Quinn, Nicol Williamson, Mary Woronov, and a cameo by David Mamet. This is also one of those films that incorporates lots of Seattle location footage utilizing the Jet City as not only Seattle but also a bunch of other cities (Houston, Dallas, New York and Washington D.C.). The film's finale takes place in Hawaii and, like any resourceful Hollywood film crew, they actually shot that part in Hawaii. Some of the hometown locations used are the Four Seasons Hotel, the Burke Museum, the Elliott Bay Book Company, the Suzzallo Library, and a lengthy scene between Winger and Russell on a ferry tooling around Puget Sound. Oddly enough neither Winger nor Russell go for a thoughtful stroll through the Pike Place Market.
--Spencer Hoyt

Back to Scarecrow on Seattle Archives