Civic Square Fence

Downtown between Third and Fourth avenues and James and Cherry streets

Three mural artists and artist-teams have created 200-foot long murals now on view on the Civic Square construction fence in downtown Seattle. Celebrating Seattle's vibrancy and cultural life, the murals are sited on the fence surrounding the construction site where a mixed-use, high-rise tower and open space will complete the city's Civic Center Campus, which includes City Hall, Seattle Justice Center and Seattle Municipal Tower. Construction is on hold until economic conditions improve, and the fence will remain in place until development at the site occurs.

Funding for the Civic Square fence project is provided by Triad Development Inc.

CURRENT: HEBRU BRANTLEY

Chicago graffiti artist Hebru Brantley's mural consists of multiple representations of Brantley's original character, Fly Boy. The characters are yellow-goggled boys who pay homage to World War II's Tuskegee Airmen. Brantley intends for the work to transform James Street into an outdoor gallery. Each whimsical variation of the Fly Boy or Girl will be used as guardians of the city. The piece is titled "Traveling With Out Movement" and features spray paint, acrylic and house paint.

The following two murals will be designed and installed through August and September of 2014.

COMING SOON: HOLLIS + LANA

Artist proposal: "Our mural will take each passerby on a journey through a world of color and depth, introducing them to a new and unique visual language. Soft meandering light with bursts of color lend a feeling of calm and excitement while creating an idyllic feeling of walking through a forest. Upon exiting the temporal engagement of this artwork, the viewer will be left with a unique imaginative experience to carry with them on their way."

COMING SOON: JOSEPH PARK & CLAUDE ZERVAS

Artist proposal: "We are proposing to create a colorful, dynamic and rhythmic painting formally based on interweaving linear geometric patterns using transparent glazes and paint gradients. The base geometric patterns will be generated using custom computer software, written by Claude Zervas, and then painted by hand on the final mural surface.


PREVIOUS: Bo Choi

"I examine the possibility of artistic expression through clothes and develop multiple ways to present this expression through performance, photography, video, weaving, and sculpting. Here, I have pursued how clothes become soft sculpture, transforming movement into unexpected installations."

 

PREVIOUS: Laura Castellanos

"My process involves the random properties of paint. I nurture these characters along, looking forward to each one emerging with its own unique sense of wonder."

 

PREVIOUS: Susan Danielson

"My work explores the psychology of home and the notion that once we move beyond the need for physical shelter, what remains is our desire for love, security and family. This work seeks to create a symbolic representation of our collective desires."

 

PREVIOUS: Anna Mia Davidson

"These individuals represent the resurgence of sustainable farmers in the Pacific Northwest, who are passionate, inspiring and capture the essence of the American spirit, and looking to alternative means of food production as an answer to environmental, social and health issues."

 

PREVIOUS: Jenny Filius

"Devil's Pie Hole is about my contempt and frustration with distracted motorists. As a professional driver, as well an artist, I'm confronted with people's poor driving manners and attention to the rules of the road. Some of these drivers could be headed into the belly of the beast unawares. Liar Liar, Pants on Fire is about a lie I told. Plain and simple. Imagine if our pants did burst into flames when we lied. There would be a whole lot of fires and truth telling."

 

PREVIOUS: John Fleming

"These self-portraits depict two different times in my life: age 17, when I lived near the Grand Canyon; and age 52, as an artist in Seattle, and are made from discarded traffic signs and test panels used by a local sign company."

 

PREVIOUS: Maciek Jozefowicz

"The Play Series expresses joy. These digital drawings from that series express joy through the use of color that is built up from a playful chaos of lines (scribbles) through a cartoon-like style of the figures and through the subject matter—children at play."

 

PREVIOUS: Mark LaFalce

"Highways are like veins—the bloodlines of a city. I capture the paradigm of loneliness and connection expressed throughout the urban landscape, which is beautiful but too often overlooked."

 

PREVIOUS: Jess Link

"I use animal imagery in my work because of their symbolic nature. I began painting seriously while stationed in Iraq. Painting was a way for me to create something positive in the world. My goal is to make the viewer apply his or her own values to the images in order to create meaning that is unique to that person."

 

PREVIOUS: Maria Olga Meneses

"In dance, the vibrant movement, energies and lines depicted, represent the connection our community shares with each other, and echoes the vibrancy in our city."

 

PREVIOUS: Eddy Radar

These paintings highlight hidden beauty of industry and formatted space. The minimalist essence and the orderly geometric markings highlight the precise nature and rules of movement, whether of airplanes or pedestrians."

 

PREVIOUS: Scott Schuldt

"These images are part of a larger project called The View from the Canoe, an ongoing artistic documentary project comprised of placing myself in Seattle's regional waterways, photographing approximately 130 days per year."

 

PREVIOUS: Harry von Stark

"I define myself as a graphic artist who uses a camera. My main tool is my imagination. These images come from the Elwha River Dams Removal Project. The power houses were filled with bold geometry, immense scale and rich colors that come from the vanishing Industrial Age."

 

PREVIOUS: Kate Sweeney

"Burble and Deep Blue combines printmaking, digital and painting techniques, and cut shapes that are fitted into one surface, exploring the fundamental energy underlying nature.

 

PREVIOUS: Patrice Tullai

"Endangered Birds of the Big Island of Hawaii and Big Apple Tree are paintings from my studies of endangered species. I am active in planting trees to recreate healthy habitats for threatened animals."

Bo Choi, Catherine Cabeen, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Bo Choi, Pink Dream, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Bo Choi, Pink Dream II, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Laura Castellanos Golden Arches/Yellow Zione/Half Mango, 2010, original work photographed and printed on a Dibond substrate panel, 116" x 48". Photo courtesy of the artist.

Laura Castellanos Lucha Libre/Dot Candy/See Thru, 2010, original work photographed and printed on a Dibond substrate panel, 116" x 48". Photo courtesy of the artist.

Susan Danielson, Red Line, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Susan Danielson, World View I, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Anna Mia Davidson, various images from Nature's last Stand Farm, Frog Song Farm, Kao Lee Cha Farm, Growing Things Farm, Jubilee Farm, Oxbow Farm, and Nature's Last Stand Farm, 2008-2009, original work photographed and printed on a Dibond substrate panel, 56" x 112". Photos courtesy of the artist.

Anna Mia Davidson, various images from Nature's last Stand Farm, Frog Song Farm, Kao Lee Cha Farm, Growing Things Farm, Jubilee Farm, Oxbow Farm, and Nature's Last Stand Farm, 2008-2009, original work photographed and printed on a Dibond substrate panel, 56" x 112". Photos courtesy of the artist.

Anna Mia Davidson, various images from Nature's last Stand Farm, Frog Song Farm, Kao Lee Cha Farm, Growing Things Farm, Jubilee Farm, Oxbow Farm, and Nature's Last Stand Farm, 2008-2009, original work photographed and printed on a Dibond substrate panel, 56" x 112". Photos courtesy of the artist.

Anna Mia Davidson, various images from Nature's last Stand Farm, Frog Song Farm, Kao Lee Cha Farm, Growing Things Farm, Jubilee Farm, Oxbow Farm, and Nature's Last Stand Farm, 2008-2009, original work photographed and printed on a Dibond substrate panel, 56" x 112". Photos courtesy of the artist.

Jenny Fillius; Devil's Pie Hole; 2011, original artworks photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Jenny Fillius; Liar, Liar, Pants on Fire; 2011, original artworks photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

John Fleming, 17 Year Old Eyes, 2009, original work photographed and printed on a Dibond substrate panel, 112" x 56". Photo courtesy of the artist.

John Fleming, 52 Year Old Eyes, 2009, original work photographed and printed on a Dibond substrate panel, 112" x 56". Photo courtesy of the artist.

Maciek Jozefowicz, Rubber Rope, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Maciek Jozefowicz, Slide, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Mark LaFalce, I-695 Commuters, 2008, original work photographed and printed on a Dibond substrate panel, 89" x 56". Photo courtesy of the artist.

Mark LaFalce, Running Reds on Airport Way, 2006, original work photographed and printed on a Dibond substrate panel, 76" x 56". Photo courtesy of the artist.

Jesse Link, First Song of The Sostice, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Jesse Link, Origins of Self Reliance, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Jesse Link, Realization of Synthesis, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Maria Meneses, Dancer #12, original work photographed and printed on a Dibond substrate panel, 71" x 56". Photo courtesy of the artist.

Maria Meneses, Dancer 7T, 2009, original work photographed and printed on a Dibond substrate panel, 116" x 54". Photo courtesy of the artist.

Eddy Radar, U-10, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Eddy Radar, Intersection, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Scott Schuldt, The East Marsh, 2009, original work photographed and printed on a Dibond substrate panel, 74" x 56". Photo courtesy of the artist.

Scott Schuldt, The Center of the Bay, 2009, original work photographed and printed on a Dibond substrate panel, 74" x 56". Photo courtesy of the artist.

Scott Schuldt, Garbage Truck, 2009, original work photographed and printed on a Dibond substrate panel, 74" x 56". Photo courtesy of the artist.

Scott Schuldt, Clean Coal, 2009, original work photographed and printed on a Dibond substrate panel, 74" x 56". Photo courtesy of the artist.

Harry von Stark, Elwha Dam Removal Project #1, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Harry von Stark, Torque, 2011, original artwork photographed and printed on a Dibond substrate panel, 10' x 5'. Photo by Art & Soul Photography.

Kate Sweeney, Burble, 2007, original work photographed and printed on a Dibond substrate panel, 116" x 41". Photo courtesy of the artist.

Kate Sweeney, Deep Blue, 2007, original work photographed and printed on a Dibond substrate panel, 116" x 57". Photo courtesy of the artist.

Patrice Tullai, Big Tree, 2008, original work photographed and printed on a Dibond substrate panel, 56" x 56". Photo courtesy of the artist.

Patrice Tullai, 12 Endangered Birds of the Big Island of Hawaii, 2004, original work photographed and printed on a Dibond substrate panel, 56" x 56". Photo courtesy of the artist.